DeAsia Paige on LinkedIn: How the YSL gang trial impacts Atlanta’s music scene (2024)

Stacey, this is a fascinating development in the music industry, and it highlights the immense value that iconic bands like KISS can accrue over decades of successful touring and recording.A few key points to consider:1. Catalog Sales Booming: As you mentioned, KISS is just the latest in a growing trend of artists cashing in on the value of their life's work. With streaming driving renewed interest in catalogues, artists are seeing unprecedented opportunities to monetize their music rights.2. KISS Brand Transcends Music: What makes the KISS deal stand out is the value placed on the band's brand, image, and likeness beyond just the music. The ability to develop new Avatar shows and other multimedia experiences speaks to the enduring cultural impact of the KISS persona.3. Preserving Legacy: For fans, this deal likely provides some reassurance that the KISS legacy will be able to live on, even after the band has retired from touring. The new owners will have a vested interest in keeping the KISS brand vibrant and introducing it to new generations of listeners.4. Trend Towards Consolidation: As more catalogs are sold, we're seeing increasing consolidation of music rights in the hands of larger entities like investment funds and tech companies. This could have implications for how music is discovered, licensed, and experienced in the future.Overall, this massive KISS catalog sale is a testament to the enormous value that can be unlocked by cultivating an iconic brand over decades of dedication and creative output. It will be fascinating to see how the new owners seek to extend and reimagine the KISS experience for fans old and new. Music history is being written, even after the final note has been played.

Canadian R&B artists like Drake, Justin Bieber, and Jessie Reyez are breaking down stereotypes about Canadian identities and R&B music. My latest #article in The Conversation explores their innovative approaches to music and branding. Check it out here: https://lnkd.in/ghWd29zj. Want to learn more? Visit www.dramarapope.ca for my full PhD dissertation on the topic. #CanadianIdentity #RnB #Branding #Marketing #DigitalMedia #IdentityStudies #Nationality

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There's a puzzle in the music industry that remains elusive. According to a 2022 Billboard article, the trend is perplexing: from 2001 to 2004, over thirty new artists consistently made it into the top 10 each year. Fast forward to 2019, and that number dropped to fifteen. In 2021, it hit a new low at thirteen, the lowest in the 2000s.Why the decline? 📉 I propose a perspective – the era of short attention spans. Today's consumers, with an average attention span of 8.5 seconds, seem more captivated by breakout songs than the artists behind them.For artists, producers, sound engineers, and music enthusiasts – carve out an identity. In a world where every second counts, make sure to capture attention or risk getting just 8.25 seconds of the spotlight. 🌐🎶#MusicIndustry#AttentionSpans#ArtistIdentity#BreakoutHits

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A short piece on the integral function of music within the sociopolitical landscape:

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What is a superfan?For me it’s very simple. It’s the 2-3% of the population who go to concerts and buy merch. What it isn’t is the other 90%+ of people who listen to music and pay subscriptions for music streaming services like Spotify. These are radio listeners, who have been monetised and formed the basis of the increased revenues for labels for the past decade and a half. Being a superfan is simply being a fan of an artist or a scene. The rest, well they never mattered to anyone other than the big labels with their 45 years of catalog that could be monetised as they pretended to be in the music industry while the double digit growth was there in streaming. Now it’s time to get back to the business of music!#superfan #superfans #musicindustry #musicbusiness.

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New Post: With Major Label Deals Expiring, Will Beloved Alt Bands Go IndieAgain? - https://lnkd.in/giuYNNgP - In the mid-2000s, indie rock was booming, and major labels swooped in to sign many of the genre’s biggest acts. Two decades later, MGMT, The Decemberists, Death Cab for Cutie and Modest Mouse, among others, have emerged from those deals into a wildly different music industry. For artists who are coming out of long contracts, “it’s a whole new era,” says Kirk Harding, a longtime manager and co-owner of label and management company Bad Habit.Recording contracts changed drastically between 2004 and 2024. There is also a new set of players for artists to choose from — not just the major labels and prominent indies, but a number of distribution companies that offer some level of services. “You can cherry pick what you want to be in your contract to some degree,” says Scott Brooks, the longtime manager of The Flaming Lips, which is currently without a label contract after fulfilling their deal with Warner Records. (Paramore is also a free agent.)“If we end up signing,” Brooks adds, “it’ll be a different kind of record deal than what we would have signed even a decade ago.”RelatedParamore’s Atlantic Records Contract Is Up, Making the Band a FreeAgent03/22/2024Throughout the 2000s and into the 2010s, the majority of major label acts signed low-royalty deals and typically gave up ownership of three to five albums for a long period (often forever). On top of that, many agreed to what are known as “360 deals,” in which the label also participates in income from merchandise, sponsorships, ticket sales and more.In those days, labels could get these kinds of terms because it was difficult, if not impossible, for artists to get national exposure without a record company’s help. Now, artists can build a global presence before partnering with any label. That means they have the negotiating power to ask for, and sometimes receive, terms that would have been unthinkable just a few years ago. As a result, industry expectations around deal-making have shifted.“I don’t think I’ve done a deal with anybody in the last few years where the artist hasn’t had at least 50% of the profit,” Harding says. “The new wars to wage are making sure that the deals and the reversions are short term, so that the artist can get through the deal and get back these new recordings quickly.” (If a band licenses its album to a label for 10 years, for example, after that time, the album reverts back to the band, usually conditional on recoupment of the deal.)Related

The Music Industry — Protect Young Artist “Your Child” The Echoes in the Silence.In a world where music and dreams intertwine, there exists a hidden narrative far removed from the spotlight's warmth—a story of exploitation, resilience, and the urgent call for change. This article delves deep into the music industry's shadowy depths, revealing the exploitation of its most vulnerable talents and the systemic issues that allow such injustices to persist. From the alarming realities of child exploitation to the silenced cries for help, we unravel the layers of complicity and culture that shield these practices from public scrutiny. Yet, amidst the darkness, there lies a beacon of hope—voices rising in unison for reform and actionable steps each of us can take to protect the dreamers of our generation. Join us on this eye-opening journey as we explore the stark realities hidden behind the melodies and the collective movement towards a safer, more ethical music world. Your awareness and action can ignite the change needed to transform the industry into a haven where talent thrives, free from exploitation. Click the link to discover how you can be a part of this pivotal movement.

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If you create something, who owns it?In the music industry, the answer isn’t always straightforward.It’s the deal creatives make for the sake of success.Something an artist poured their whole life into can legally not belong to them.It doesn’t matter how personal the music might be, the traditional industry model means that any right to IP is sacrificed.We believe art should belong to the people who created it.We believe that a new way of doing things is urgently needed.Let’s give artists control.#musicindustry #artisticcontrol #IP

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Harmonic Intersection: The Role of Music in Shaping Society: https://lnkd.in/ewUUWu34

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Exploring Chart-Topping Pop Icons in theUSA||This guide explores American pop music, highlighting artists like Taylor Swift, Lady Gaga, and Justin Bieber, whose unique styles and evolution shape pop culture.

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